
By Matan Daskal & Tom Love
Number of performers
5
Composition: Matan Daskal | Space design: Tom Love
Musicians from Castle in Time Orchestra: Drums: Haggai Fershtman | Percussion: Shalev Ne’eman | Synthesizer: Matan Daskal, Milton Michaelie | Vibraphone: Shalev Koloditsky Technical manager: Maor Paz | Graphic designer: Dar Laor Supported by Mifal Hapais, the Ministry of Culture, and the Association of Multidisciplinary Art
Sound Fiction
Sound Fiction is an immersive concert and sound installation. In the space, the speakers are embedded inside benches specially designed for it, on which the audience sits and experiences the music through.
We designed a 36-meter rectangular bench, hollow on the inside, and mounted 16 elements on its inner front side.
They were mapped in a way that each element had an individual output. We wanted to focus on the physical experience of vibrations and create a different “listening” environment in which the audience feels the pitches, textures, timbres, and rhythms. The music can still be heard, but delicately and muffled, almost like from within a womb. We composed a one-hour sixtet for two synthesizer players, two percussionists, a vibraphone player, and a sound designer, which was performed live inside the space. The result was an immersive concert, but also a tactile sound platform that can stand on its own in different “listening” situations.
The process was accompanied by an ongoing scientific dialogue with Dr. Lior Arbel.
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